Filippo Crea , fotografo esperto, collabora attivamente con diverse Istituzioni Culturali italiane e francesi, inoltre si occupa di critica fotografica per numerose testate giornalistiche.
The Library of Milan Murcia hosted last year, namely 17 to 27 March 2009, a solo exhibition titled "Silence."
"The silence of Philip Create" - as reviewed Giangiacomo Schiavi del Corriere della Sera - "is a door that opens onto the blank. But before us there is a chasm, a chasm, every image, even the most distant, is a fragment of life that refers to a dream, a memory, a fear. In the arduous search for a longer human sadness emerges aware of what was lost. "
During the inauguration of the exhibition Lorenza Hall, Communications Manager of the Publishing House Mursia asked Filippo Crea: "Why" silence "as the theme?".
"I believe that to fotograf ia - said Filippo Crea - need for constant updates ¬ tion and cultural style. I wanted to challenge myself on something not easy. It 'not easy, in fact, a photograph of the silence. The silence you hear, the silence is not seen. And I wanted to try to tell this impalpable, sensitive staff. "
Among his works:
"Garfagnana"
"A quiet simple and immediate. Summer, early afternoon. The white-haired woman in black has his hands gathered in defense of" his "silence, the two empty chairs are not the company, but waiting for someone to break the vacuum stage of this clean, structured on a few essential and stage presence. "
"The silence of Philip Create" - as reviewed Giangiacomo Schiavi del Corriere della Sera - "is a door that opens onto the blank. But before us there is a chasm, a chasm, every image, even the most distant, is a fragment of life that refers to a dream, a memory, a fear. In the arduous search for a longer human sadness emerges aware of what was lost. "
During the inauguration of the exhibition Lorenza Hall, Communications Manager of the Publishing House Mursia asked Filippo Crea: "Why" silence "as the theme?".
"I believe that to fotograf ia - said Filippo Crea - need for constant updates ¬ tion and cultural style. I wanted to challenge myself on something not easy. It 'not easy, in fact, a photograph of the silence. The silence you hear, the silence is not seen. And I wanted to try to tell this impalpable, sensitive staff. "
Among his works:
"Garfagnana" "A quiet simple and immediate. Summer, early afternoon. The white-haired woman in black has his hands gathered in defense of" his "silence, the two empty chairs are not the company, but waiting for someone to break the vacuum stage of this clean, structured on a few essential and stage presence. "
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