Are you a teen in crisis? A depressed? A husband or wife in the middle of a difficult marital relationship? A compulsive gambler? A person so narcissistic as to disregard all the others? A video art will save you. Or, rather, will help you in your battle against psychological distress. Why are some works of contemporary art "possess a force that touches the deep and secret parts of the personality. And move, console, break patterns, reversing the meaning, reflect, disturb, stimulate the emergence of new resources with much experience in a che vedere con la catarsi”.
Rebecca Luciana Russo , psicologa e psicoterapeuta, ha codificato queste sue certezze in un metodo: utilizzare l’arte come coadiuvante per migliorare la vita, visto che il suo impatto può, in certi casi, “risultare superiore a quello delle parole in quanto le immagini penetrano nell’inconscio con maggior forza e velocità”. E il metodo è diventato un volume che arriverà nelle librerie nei prossimi giorni, “Videoinsight. Curare con l’arte” edito da Silvana Editoriale in due edizioni, italiana e inglese: racconto, rigoroso come un saggio scientifico but also as a fascinating journey to the island not known that everyone is for himself.
The first part investigates the power of pictures and video art when introduced into a psychotherapeutic treatment "which already has a history based on mutual trust, the working alliance, empathy, and their ability to add value to increase the effectiveness of the intervention. " The second presents 14 clinical cases followed by the "administration" of works selected from those who most strongly reflected in the topics key forms of psychotherapy.
And, so, "Piel" of Regina Jose Galindo City (Guatemala 1974), walking naked and barefoot for Venice has helped many patients overcome, under the guidance of the therapist, social anxiety problems, the ' excessive fear of the judgments of others, a tendency to isolate and insulate. Media that have, for example, prompted Monica to finally reveal their homosexuality to their parents. And a final year student of 27 years - we'll call Maria - found in the video-art Sissi (1977), "Daniela has missed the boat" a contribution to overcome the attacks of panic-related fear in accepting a job that would take away from family. "In depth analysis of performance artist who, despite several attempts, he can not get on the wagon at the start because" heavy "to be a cumbersome skirt made of tires, has stimulated to leave their baggage anxieties, duties, prejudices and take the train of inner transformation. " [01] The video
"Glim" of Masbedo (Nicholas Mas ax-1973 & James signs Bedo - 1970) depicts a man and a woman connected by long filaments that fight until you drop in a land ice and evocative "It 's the ideal starting point for people they are unable to disengage from other people or objects of desire: food for the bulimic and obese, but also alcohol, gambling, sex, work. Even the Internet. "
The recovery of couple relationship "Togheter Forever" of Ottonella Mocellin (1966) and Nicola Pellegrini (1962) has played a key role, paired with the "words" of the psychotherapist: The movie shows a woman holding a tray on which rests the severed head of her husband playing the episode Biblical Salome and John the Baptist. " The two talk about their different way of understanding life and opened a gash on conflicts, competitiveness, aggressiveness, lack of intimacy and the rigidity of roles leading to the crisis of many marriages ".
Sick of egocentrism, exhibitionism and a sense of grandeur would do well to study "The crystal gaze" of Ursula Mayer (Austria 1970), which operates in three elegant and sensual women recite a play without communicating each other. They could send it on television, as preventive remedy, before certain programs that are governed by the frenzy of exhibitionism. And maybe even before or after a few editions of the news.
[01] The name of the artist you choose is itself a performance, a transformation. Bring your Sissi name in the world makes himself the subject of their works. Sissi is a nickname that was found on him after the performance that has become famous, "Daniel has missed the boat" (1999): she, the Bologna train station, dressed in worn out tires of cars, trying to get on the train , trapped in a bulky form that it can not go beyond the narrow doors. A constant dialogue between the elegance of gesture el'imperturbabilità context.
Taken from: lastampa.it / Renato Rizzo - 24.02.2011
Rebecca Luciana Russo , psicologa e psicoterapeuta, ha codificato queste sue certezze in un metodo: utilizzare l’arte come coadiuvante per migliorare la vita, visto che il suo impatto può, in certi casi, “risultare superiore a quello delle parole in quanto le immagini penetrano nell’inconscio con maggior forza e velocità”. E il metodo è diventato un volume che arriverà nelle librerie nei prossimi giorni, “Videoinsight. Curare con l’arte” edito da Silvana Editoriale in due edizioni, italiana e inglese: racconto, rigoroso come un saggio scientifico but also as a fascinating journey to the island not known that everyone is for himself.
The first part investigates the power of pictures and video art when introduced into a psychotherapeutic treatment "which already has a history based on mutual trust, the working alliance, empathy, and their ability to add value to increase the effectiveness of the intervention. " The second presents 14 clinical cases followed by the "administration" of works selected from those who most strongly reflected in the topics key forms of psychotherapy.
And, so, "Piel" of Regina Jose Galindo City (Guatemala 1974), walking naked and barefoot for Venice has helped many patients overcome, under the guidance of the therapist, social anxiety problems, the ' excessive fear of the judgments of others, a tendency to isolate and insulate. Media that have, for example, prompted Monica to finally reveal their homosexuality to their parents. And a final year student of 27 years - we'll call Maria - found in the video-art Sissi (1977), "Daniela has missed the boat" a contribution to overcome the attacks of panic-related fear in accepting a job that would take away from family. "In depth analysis of performance artist who, despite several attempts, he can not get on the wagon at the start because" heavy "to be a cumbersome skirt made of tires, has stimulated to leave their baggage anxieties, duties, prejudices and take the train of inner transformation. " [01] The video
"Glim" of Masbedo (Nicholas Mas ax-1973 & James signs Bedo - 1970) depicts a man and a woman connected by long filaments that fight until you drop in a land ice and evocative "It 's the ideal starting point for people they are unable to disengage from other people or objects of desire: food for the bulimic and obese, but also alcohol, gambling, sex, work. Even the Internet. "
The recovery of couple relationship "Togheter Forever" of Ottonella Mocellin (1966) and Nicola Pellegrini (1962) has played a key role, paired with the "words" of the psychotherapist: The movie shows a woman holding a tray on which rests the severed head of her husband playing the episode Biblical Salome and John the Baptist. " The two talk about their different way of understanding life and opened a gash on conflicts, competitiveness, aggressiveness, lack of intimacy and the rigidity of roles leading to the crisis of many marriages ".
Sick of egocentrism, exhibitionism and a sense of grandeur would do well to study "The crystal gaze" of Ursula Mayer (Austria 1970), which operates in three elegant and sensual women recite a play without communicating each other. They could send it on television, as preventive remedy, before certain programs that are governed by the frenzy of exhibitionism. And maybe even before or after a few editions of the news.
[01] The name of the artist you choose is itself a performance, a transformation. Bring your Sissi name in the world makes himself the subject of their works. Sissi is a nickname that was found on him after the performance that has become famous, "Daniel has missed the boat" (1999): she, the Bologna train station, dressed in worn out tires of cars, trying to get on the train , trapped in a bulky form that it can not go beyond the narrow doors. A constant dialogue between the elegance of gesture el'imperturbabilità context.
Taken from: lastampa.it / Renato Rizzo - 24.02.2011
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remember what I had achieved 
Atalie March 2007 
